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Patricia's eyes narrowed. "I believe I'll make my candy up in as attractive a way as I possibly can, and I'll spring it on them first thing, so they'll be in too good a humor to want to haze me very hard. Don't you think that might work for you, too?" "Well, anyway, I'm fearfully hungry," she said airily. "I can't stand any more palaver. Come along to the cave and let us feed while there is time." She washed her tools in the grimy tanks of the clay room, more in love with it every minute, and when she joined Elinor at their lockers, she was fairly bursting with enthusiasm..

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"She is something more than that in Barbadoes." "You've got to make butterflies of the wire-loops, you know, to hold the clay up, or it'll slump down off the iron headpiece soon as you get your head set up," explained her instructor in an agreeable tone. "It's easier to set up a head than a figure, I can tell you——" "We're going to see the decoration—the one Elinor made for the church, you know," said Patricia to Miriam as they left the festive, disheveled sitting-room to the rejuvenating hands of Hannah Ann and Henry, and went with the chatting crowd into the big studio again. "Bruce wouldn't have the luncheon in here because we couldn't get a good view of it if the place was cluttered up with tables and things. He's fearfully proud of it. He says it's as good as lots of regular artists could do." A tall dark-haired youth in a gray suit and overcoat, who had been standing with his back to them a short distance away, turned and showed a pleasant, homely face with two very lively eyes and a wide, firm mouth..